Bibliografi

URL: http://www.jstor.org/stable/27861049
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DOI: 10.1163/22134379-90001450
URL: http://booksandjournals.brillonline.com/content/journals/10.1163/22134379-90001450
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DOI: 10.1163/22134379-90001451
URL: http://booksandjournals.brillonline.com/content/journals/10.1163/22134379-90001451
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DOI: 10.1163/22134379-90002374
URL: http://booksandjournals.brillonline.com/content/journals/10.1163/22134379-90002374
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Chapter: Een hypothese omtrent den oorsprong der Hindoe-Javaansche kunst
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DOI: 10.1163/22134379-90002329
URL: http://booksandjournals.brillonline.com/content/journals/10.1163/22134379-90002329
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URL: http://www.jstor.org/stable/27860542
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Chapter: Epigraphy and Indonesian Historiography
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Chapter: The inscription of Garaman, dated 975 Çaka; The new evidence on Airlangga’s partition of his kingdom
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Chapter: Religion and popular beliefs of Southeast Asia before c. 1500
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Chapter: Negara, mandala, and despotic state; Images of early Java
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Chapter: Water and rice in early Java and Bali
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Chapter: "Landscape” in Early Java
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School: Leiden University
URL: https://openaccess.leidenuniv.nl/handle/1887/13781
Abstract:
Central Javanese temples were not built anywhere and anyhow, quite the contrary: their position within the landscape and their architectural design was determined by a series of socio-cultural, religious and economical factors. Correlations between temple distribution, natural surroundings and architectural design provide valuable clues as to how Central Javanese people structured the space around them, and how the religious landscape thus created developed. This thesis reveals the main traits of land occupancy during the Central Javanese period (late 8th to early 10th centuries): a core agricultural region, a series of secondary centres, an extensive communication network, and several religious centres – sometimes relatively isolated. It also explores the relationship between temples and landscape, and assess the role played by specific landscape markers on the choice of a building site. Beyond the questions of territory and landscape, the present work also offers a reflection on the structure of the built space and its possible relations with conceptualized space, showing the inlfuence of imported Indian concepts – as well as their limits.
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School: University of Sydney
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URL: http://www.jstor.org/stable/1146027
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School: Leiden University. ‘s-Gravenhage: n.n.
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DOI: 10.1163/22134379-90003567
URL: http://booksandjournals.brillonline.com/content/journals/10.1163/22134379-90003567
Abstract:
Architect Henri Maclaine Pont’s personal papers indicate that he almost certainly excavated the medieval hermitage-cemetery of the eleventh-century sage, Empu Bharada, in 1925. Careful field study in the former royal capital of Majapahit, analysis of the relevant Old Javanese texts and interviews with local residents have enabled an accurate identification of Maclaine-Pont’s exacavation site at the former children’s cemetery of Lemah Tulis where Bharada lived as a hermit. The authors argue that the famous Joko Dolog (‘Fat Youth’) statue now in Surabaya depicts the Buddhist sage who divided Java between King Airlangga’s two sons in 1052, and conclude by urging a new excavation of this most significant historical site.
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Chapter: Economic history of early Southeast Asia
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DOI: 10.3406/arch.1996.3357
URL: http://www.persee.fr/web/revues/home/prescript/article/arch_0044-8613_1996_num_52_1_3357
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DOI: 10.3406/arch.2000.3554
URL: http://www.persee.fr/web/revues/home/prescript/article/arch_0044-8613_2000_num_59_1_3554
Abstract:
Kenneth R. Hall Durant la période des années 1200-1500, la mobilité dans l'échelle sociale javanaise s'explique par une richesse nouvelle et des opportunités de distinction de statut. La cour encouragea l'élite des communautés rurales à se penser comme partie d'un ordre royal hiérarchique basé sur les lignées et à participer à la vénération des ancêtres du roi. Une personne pouvait prendre place dans le réseau rituel royal et profiter d'une amélioration de son statut personnel en recevant un nouveau titre. Elle se soumettait ainsi au pouvoir du roi, de ses ancêtres et des dieux indiens avec lesquels ils se confondaient. Des familles étaient encouragées à rechercher richesse et statut et à développer la conscience du lignage, ce qui eut pour effet de donner un essor aux activités rurales. Les profits de l'économie rizicole javanaise largement excédentaires aux XIVe et XVe siècles permit à l'élite et aux aspirants à celle-ci (en compétition avec la vieille élite pour ses privilèges) de participer dans tout le royaume aux fêtes et célébrations fastueuses qui culminaient dans les cérémonies de cour dans lesquelles elle faisait montre de son succès matériel. En théorie, le roi contrôlait toutes les forces affectant la prospérité terrestre ainsi que le salut éternel, ce qui lui permettait d'incorporer ses sujets terrestres dans la société centrée sur la cour de Majapahit.
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Chapter: Ritual transitions and kingship in fifteenth-century Java; A view from the Candi Panataran complex
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School: Leiden University (Published: Leiden: Dubbeldeman)
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School: Leiden University
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DOI: 10.1017/S0022463406000920
URL: http://journals.cambridge.org/action/displayAbstract?fileId=S0022463406000920
Abstract:
This article argues for a reassessment of the history of the Singhasari period based on disambiguating diverse historical sources that have often been combined to produce a seamless narrative, when in fact the textual record is marked by conflict, contradiction and ambiguity. The author proposes a basic division between the perspective of kakawin literature, which represents the interests of royal and priestly actors with a large stake in maintaining a fixed symbolic order, and literature in Middle Javanese, which reflects the more personal values that arose among young royals competing for favourable position in the core-line status hierarchy. The author further claims that symbolic initiatives of Krtanagara (1265–92 CE) that led to his identification as ‘the god Shiva-Buddha’ were not aimed at producing a syncretic religious system, but rather a politico-religious hegemony that had profound effects on the shape of statecraft during the Majapahit era.
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DOI: 10.1163/22134379-90003688
URL: http://booksandjournals.brillonline.com/content/journals/10.1163/22134379-90003688
Abstract:
While investigating the role of the ?ailendra dynasty in early eastern Javanese history, I became interested in exploring what relationship King Airlangga had to this famous dynasty. The present excursion to the royal bathing place at B?lahan is an art-historical supplement to my inquiries, the findings of which have been published elsewhere (Jordaan 2006a). As this is a visit to a little-known archaeological site, I will first provide some background on the historical connection, and the significance of B?lahan for ongoing research on the ?ailendras.
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DOI: 10.1163/22134379-90001803
URL: http://booksandjournals.brillonline.com/content/journals/10.1163/22134379-90001803
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Chapter: Der altjavanische Meditationsplatz Candi Kendalisada am Berg Penanggungan in Ostjava
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Chapter: The meditation of Arjuna; Its presentation in the Old-Javanese kakawin Arjunawiwaha and in some reliefs in East-Java
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Chapter: Arjuna, Bhima and Panji: three heroes at Candi Kendalisodo
URL: books.google.co.id/books?id=fx3mpR4uKmkC&pg=PR7&lpg=PR7&dq=Narrative+sculpture+and+literary+tradition+in+South+and+Southeast+Asia&source=bl&ots=3jhylUTzfn&sig=KZVgpAMxCj1rIxymSJr7XVXs8as&hl=en&sa=X&ei=JGIYVJ-cJoyzuATZxYCIBg&ved=0CDEQ6AEwAg
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Chapter: Loving couples depicted in temple reliefs in East Java of the Majapahit time
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Chapter: A new fashion in male headgear during East Javanese Majapahit time – the tekes-cap in narrative reliefs of Candi Jago
URL: http://muse.jhu.edu/books/9789971696955
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Chapter: Hanuman, the flying monkey: the symbolism of the Ramayana reliefs at the Main Temple of Candi Panataran
URL: http://www.oapen.org/search?identifier=399317
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Chapter: Iconographical traditions in late East Javanese narrative reliefs
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Chapter: The iconography of the so-called portrait statues in late East Javanese art
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Chapter: On the orientation of ancient Javanese temples; The example of Surowono
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Chapter: Borobudur; A mandala? A contextual approach to the function and meaning of Borobudur
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Chapter: Deified couples and meditation; On the iconography of the socalled portrait statues in ancient Javanese art
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Chapter: Ornamental motifs; The stylistic method applied to ancient Javanese temple art
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Chapter: The Krsna reliefs at Panataran; A visual version of the Old Javanese Krsnayana
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Chapter: Hanuman in the art of East Java
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Chapter: The early and the imperial kingdom in Southeast Asian history
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DOI: 10.1163/22134379-90002444
URL: http://booksandjournals.brillonline.com/content/journals/10.1163/22134379-90002444
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DOI: 10.1163/22134379-90002775
URL: http://booksandjournals.brillonline.com/content/journals/10.1163/22134379-90002775
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URL: http://www.jstor.org/stable/1062318
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URL: http://www.jstor.org/stable/4103345
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Series: Data Paper 27
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Chapter: The cult of Siva-Buddha
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Chapter: Terraced Temple Sites
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Chapter: Arca dan relief pada kepurbakalaan Gunung Penanggungan; Pembicaraan ringkas aspek keagamaan
Series: Lembaran Sastra, Seri Penerbitan Ilmiah
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School: Universitas Indonesia
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DOI: 10.1163/22134379-90002662
URL: http://booksandjournals.brillonline.com/content/journals/10.1163/22134379-90002662
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DOI: 10.1163/22134379-90002587
URL: http://booksandjournals.brillonline.com/content/journals/10.1163/22134379-90002587
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DOI: 10.1163/22134379-90003462
URL: http://booksandjournals.brillonline.com/content/journals/10.1163/22134379-90003462
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DOI: 10.2307/3350735
URL: http://www.jstor.org.proxy.ub.uni-frankfurt.de/stable/3350735
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School: Leiden University (‘s-Gravenhage: Nederlandse boek- en steendrukkerij voorheen H.L. Smits)
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Series: VKI
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DOI: 10.1163/22134379-90001558
URL: http://booksandjournals.brillonline.com/content/journals/10.1163/22134379-90001558
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DOI: 10.1163/22134379-90001524
URL: http://booksandjournals.brillonline.com/content/journals/10.1163/22134379-90001524
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Series: Bibliotheca Javanica
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Series: Bibliotheca Javanica
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School: Universitas Negeri Malang
URL: http://jurnal-online.um.ac.id/article/do/detail-article/1/15/1232
Abstract:
Wayang Topeng Malang Lakon Lahire Panji merupakan salah satu karya seni warisan leluhur yang mengandung kompleksitas dalam penyajiannya. Peneliti ingin mengkaji wayang topeng tersebut karena di dalamnya terdapat nilai moral dan nilai estetik yang menjadi pangkal pengalaman estetik yang berguna bagi manusia dalam mengaktualisasikan dirinya dalam hubungan sosial bermasyarakat. Penelitian ini dilaksanakan dengan tujuan untuk mendeskripsikan latar belakang penciptaan dan nilai estetik yang terkandung pada Wayang Topeng Malang Lakon Lahire Panji karya Mochammad Soleh Adi Pramono dari Padepokan Seni Mangun Dharmo, Tumpang, Malang. Penelitian ini menggunakan pendekatan kualitatif dengan metode deskriptif. Pengumpulan data dilakukan dengan menggunakan teknik wawancara, observasi dan dokumentasi. Untuk menjaga keabsahan data, dilakukan trianggulasi data. Tahap analisis data yang digunakan dalam penelitian ini meliputi reduksi data, penyajian data dan menarik kesimpulan/verifikasi. Berdasarkan hasil penelitian, diperoleh dua kesimpulan hasil penelitian sebagai berikut. Pertama, lewat Lakon Lahire Panji Mochammad Soleh Adi Pramono ingin berupaya memberi sumbangsih dalam hal ajaran-ajaran moral kepada masyarakat, terutama generasi muda yang mulai larut dalam era kekinian yang perlahan menghapus rasa kepemilikan atas budaya bangsa sendiri. Kedua, nilai -nilai estetika tercermin pada beberapa atribut pertunjukan yang dalam hal ini adalah topeng malang dalam Lakon Lahire Panji. Nilai estetik tersebut dapat ditangkap pada adanya pengorganisasian media estetik yang meliputi garis;bentuk dan ruang; warna; dan tekstur, di mana kesemua media estetik tersebut terepresentasi ke dalam hasil tatah dan sunggingan, serta bentuk keseluruhan topeng. Kaidah visualisasi estetik guna mendapatkan kualitas estetik juga diterapkan dalam topeng tersebut. Atribut kualitas estetik seperti kesatuan, keteraturan, dan keberagaman dapat dicapai diantaranya dengan menciptakan keseimbangan, keselarasan, kesebandingan, irama, dan kevariasian lewat penataan media estetik tersebut. Disarankan dari hasil penelitian ini agar pembuat topeng di Padepokan Seni Mangun Dharmo khususnya, serta komunitas Wayang Topeng Malang lain pada umumnya agar terus menggali ide-ide yang bersumber dari nilai estetik tersebut di atas. Nilai estetik tersebut nantinya diharapkan juga memberi pengaruh besar bagi pemerhati dan pelaku seni pertunjukan tradisional untuk terus berkarya guna mempertahankan kelangsungan hidup budaya bangsa Indonesia. -------------------------------------------------- Mask Puppet of Malang Story The Born of Panji is one of heritage arts. By its performance complexity, it contains of the values of morality and esthetic that be comes the root of esthetic experience useful for people in actualizing themselves in the social society. This research purposes to describe the background and the value of esthetic contained in some masks in Mask Puppet of Malang Story The Born of Panji by Mochammad Soleh Adi Pramono from Padepokan Seni Mangun Dharmo Tumpang - Malang. This research used qualitative approach by descriptive method. The collecting data were by interviewing, observation, and documentation. To keep the validity of data, it was used resource triangulation. To analyze the data, it used reducing and setting the data, it was also verification. Based on the result of the research, there were two conclusions. Firstly, by the Born of Panji, Mochammad Soleh Adi Pramono wanted to try to give valuable thing in morality for society especially young generation who took nowdays value too deep – those, slowly but surely, it eliminated the owning of their own culture. Secondly, the values of esthetic showed on some performance, here, Malang mask in the Born of Panji. Those could be taken from the organizing of the esthetic media. They were line; form and space; colour; and texture. They were represented into infaid and feature of the face, also the form of all masks. The rule of esthetic visualization that was to get the quality of esthetic was also used on those masks. The attribute of esthetic qualities such as unity, regularity, and variety could be got by creating the balance, the harmony, the equality, the rhythm, and the variety by the setting of the esthetic media. From the result of the research, it is suggested for the mask maker - especially in Padepokan Seni Mangun Dharmo and generally for other community of Mask Puppet of Malang to keep digging ideas from the values of esthetic above. The values, hopefully, can give great influence for concerning person and artist of tradisional performance to keep working to maintain the existence of Indonesian culture.
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School: Leiden University (‘s-Gravenhage: Nederlandsche boek- en steendrukkerij voorheen H.L. Smits)
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School: National University of Singapore
URL: http://scholarbank.nus.edu.sg/handle/10635/13268
Abstract:
The thesis is premised on the argument that the Panji tales have constituted the bedrock of traditional Thai epistemologies about Indonesia. After a brief survey of the Panji romances in the Javanese literary tradition as well as the Melayu world, the Thai Panji texts are discussed with the aid of summaries and translations. Questions of authorship and translation are posited within the Thai literary context, and substantial attention is paid to the role of Melayu as a lingua franca mediating the translation process.In the representations of Java found in the Thai Panji texts, there is a clear predominance of Hindu-Buddhist cosmologies despite the presence of Islam at the time of their inscription. This is discussed at length together with the technologies of (mis)recognition, disguise and its effects that accompany it in the texts.The tales enjoyed great popularity in the world of Thai literature and theatrical performance. The Bangkok elite, in fact, become obsessed with their Panji/Javanese element. But such obsession in turn inspired a subversive form of the tales in which the Panji sign was displaced. The phantasm of a foreign tongue even gave rise to a version that can be characterized as a b lunaticb dream of the empty-sign.Finally, the thesis tackles King Chulalongkornb s journeys to Java and his search for the origins of the Panji tales. This preoccupation, together with European Orientalist influences, shaped the Thai eliteb s unique emplotment of Javanese history.
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URL: http://www.jstor.org/stable/27861363
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Chapter: Konsep raja sakti di Jawa pada jaman kuno
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DOI: 10.1163/22134379-90003075
URL: http://booksandjournals.brillonline.com/content/journals/10.1163/22134379-90003075
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DOI: 10.1163/22134379-90002905
URL: http://booksandjournals.brillonline.com/content/journals/10.1163/22134379-90002905
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Chapter: Notes on the cultural background of the kidung literature
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DOI: 10.1163/22134379-90003500
URL: http://booksandjournals.brillonline.com/content/journals/10.1163/22134379-90003500
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DOI: 10.1163/22134379-90002559
URL: http://booksandjournals.brillonline.com/content/journals/10.1163/22134379-90002559
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DOI: 10.1163/22134379-90003446
URL: http://booksandjournals.brillonline.com/content/journals/10.1163/22134379-90003446
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DOI: 10.1163/22134379-90003862
URL: http://www.jstor.org/stable/27865554
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Chapter: Kehidupan beragama golongan rsi di Jawa
Series: Lembaran Sastra, Seri Penerbitan Ilmiah
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Chapter: Early research on Sivaitic Hinduism during the Majapahit era
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Chapter: Religious life of rsis in the Majapahit era
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Chapter: The religious function of narrative reliefs on Hindu and Buddhist sanctuaries in Majapahit period
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Chapter: Skulls, fangs and serpents; A new development in East Javanese iconography
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Chapter: The making of Indonesian art
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Chapter: The kakawin Nagarakrtagama; A young king’s passage through his realm
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School: Universitas Indonesia, Jakarta
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Chapter: Indonesian architecture of the Classical Period; A brief survey
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Chapter: The terracotta art of Majapahit’
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URL: http://www.jstor.org/stable/27861260
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DOI: 10.1163/22134379-90001835
URL: http://booksandjournals.brillonline.com/content/journals/10.1163/22134379-90001835
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DOI: 10.1163/22134379-90001575
URL: http://booksandjournals.brillonline.com/content/journals/10.1163/22134379-90001575
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DOI: 10.1163/22134379-90001418
URL: http://booksandjournals.brillonline.com/content/journals/10.1163/22134379-90001418
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DOI: 10.1163/22134379-90001392
URL: http://booksandjournals.brillonline.com/content/journals/10.1163/22134379-90001392
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DOI: 10.1163/22134379-90001362
URL: http://booksandjournals.brillonline.com/content/journals/10.1163/22134379-90001362
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Series: VKI
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Chapter: The image of Majapahit in later Javanese and Indonesian writing
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Chapter: Kama in the Old Javanese kakawin
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Chapter: Majapahit dan kedatangan Islam serta prosesnya
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Chapter: In search of Panji
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School: University of Baltimore
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URL: http://www.jstor.org/stable/1559540
Abstract:
The earliest account of the well-known love story of Abimanyu and Ksiti Sundari seems to be the Old Javanese "kakawin Ga?otkacâsraya" (?Ga?otkaca's help), said to be composed by mpu Panuluh in the late twelfth or early thirteenth century. In secondary literature the "Ga?otkacâsraya" owes its fame to the allegedly first appearance of three so-called panakawans, viz. Juru dyah, Punta and Prasanta. The modern concept of panakawans in the wayang (puppet theatre), in which they perform the role of clown-servants, however, has played tricks on most scholars who have hitherto dealt with the "Ga?otkacâsraya." In this article it is argued that the panakawans in this text are only followers and companions of Abimanyu; Juru dyah is not a personal name but a function, whereas Punta and Prasanta may well be later Balinese additions to the text.
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Chapter: The seblang and its music; Aspects of an East Javanese fertility rite
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Chapter: Narrative bas-reliefs at Candi Surawana
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Chapter: Mpu Tantular’s kakawin Arjunawijaya and conceptions of kingship in fourteenth century Java
Series: KITLV, Verhandelingen
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Chapter: On the ordering of the narrative reliefs at Candi Surowono, East Java, a response to Marijke Klokke, “On the orientation of ancient Javanese temples; The example of Candi Surowono”, IIAS Yearbook 1994
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DOI: 10.1163/22134379-90002303
URL: http://booksandjournals.brillonline.com/content/journals/10.1163/22134379-90002303
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Chapter: Die Hochreligionen Indonesiens
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URL: http://www.jstor.org/stable/3350660
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